Monarch’s Sad Fate

The sad end of a retired member of Buffalo Bill Cody’s Wild West was announced by the Omaha Daily Bee on December 5, 1906. However, the article, headlined “Death Warrant for Monarch,” referred not to a human, but to an animal. Monarch, “the finest specimen of buffalo ever in captivity,” was considered too dangerous for Riverview Park, his home in Omaha since leaving the Wild West, and he was soon to be slaughtered. 

This detail from a poster for Buffalo Bill’s Wild West depicts men on horseback and running buffalo. NSHS RG3004.PH190

The Bee said: “Monarch was raised by Buffalo Bill and carried with him through all the countries of Europe, but he became unmanageable and as it took a large part of the gate receipts of the Wild West show to square away the depredations which were occasioned by this immense buffalo, Colonel Cody decided to sell him. He was sold to the city of Omaha for $300 and was placed in Riverview park.”  

However, Monarch behaved so badly there, rushing at the fences and threatening to trample spectators, that he was reportedly sold back to Wild West agent William McCune. By December 13 the Bee reported that Monarch had been purchased by William Buthorn, owner of the Heidelberg Cafe, who planned to slaughter the animal, and gave Omaha’s mayor, “Cowboy Jim” Dahlman, the dubious honor of shooting him. The Bee noted:  

Omaha mayor Jim Dahlman in cowboy garb. NSHS RG2990.PH0-1

“The mayor did not fail. He planted himself some thirty feet from the animal, leveled his big rifle and fired. Monarch turned to look for a second at his slayer, then walked around in a circle just once, dropped to the ground and died within ten minutes without writhing. Mr. Buthorn will have the head mounted and placed in the Heidelberg and the meat he will sell.”  

Monarch may have passed from the scene, but stories of his exploits during his Wild West days appeared in the press. In a particularly memorable incident in Germany, according to the Bee, Monarch “got loose, and, rushing through a small general store, scattered the china and other things exhibited for sale. He went right through the store and was cornered in a lot at the rear, with no way of escape except to go back through the store. When the little German storekeeper was asked what the damage was he bobbed his head up from behind the counter, where he had dodged for safety, and shouted, ‘Nothing, nothing, if you will only take the brute away!’” – Patricia C. Gaster, Assistant Editor / Publications

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Christmas Trees Opposed by J. Sterling Morton

J. Sterling Morton and his newspaper staff in Nebraska City on May 29, 1899. NSHS RG1013-PH30-11

J. Sterling Morton (1832-1902) had a distinguished political career in this state, serving twice in the territorial legislature, as territorial secretary from 1858 to 1861, and on two occasions as acting territorial governor. He also served as secretary of the U.S. Department of Agriculture under President Grover Cleveland from 1893 to 1897. His chief legacy, however, is his promotion of tree planting on the prairies, and upon his initiative, the State Board of Agriculture in 1872 established Arbor Day

In 1898 Morton established The Conservative, a weekly, three-column newspaper, in his hometown of Nebraska City to further his economic and political views and to promote agriculture and tree planting. He surely would have applauded the modern advent of the artificial Christmas tree, for on November 23, 1899, he used his newspaper to attack the custom of cutting down healthy trees for use as holiday decorations. Morton wrote:  

“Millions upon millions of the straightest, most symmetrical and vigorous hemlocks, spruces, pines and balsams, will soon be aboard freight cars and going towards cities to be put into homes for Christmas trees, which shall bear tin bells, dolls, bon bons, glass bulbs and all sorts of jimcracks for the amusement of children. The generations following will want for lumber which these Christmas trees would have made.”  

Blocks and other toys at the base of a Christmas tree. NSHS RG5366.PH3-22

Reaction in the Nebraska press to Morton’s criticism of Christmas trees was mixed. The Courier (Lincoln) on December 9, 1899, agreed with him, saying, “The fragrant fir hung with presents, glittering with lights, and surrounded by the beautiful, happy faces of children is a pleasant sight. But it costs the life of a tree and we cannot afford it.” The Kearney Daily Hub said on December 13: “There are a great many of us . . . . who have not stopped to think about it at all . . . and it seems now that attention has been called to the wanton destruction aforesaid, that it ought to be stopped. But he [Morton] shouldn’t deprive us of our Christmas trees without offering us something else.”  

Today realistic artificial Christmas trees (some pre-lit) and living, potted trees for sale or rent have enabled many to dispense with a cut tree for holiday decoration. Traditionalists can still visit a commercial Christmas tree farm to select a living tree. – Patricia C. Gaster, Assistant Editor / Publications

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The Best-Dressed Doll in the World

A new exhibit opens this evening at the Nebraska History Museum! The Best-Dressed Doll in the World: Nebraska’s Own Terri Lee runs through September 1, 2013, and is also the subject of a richly-illustrated article in the Winter 2012 issue of Nebraska History. The exhibit and article reveal the surprising impact and history of Terri Lee dolls.

While Terri Lee is an unfamiliar name to most people today, the dolls were popular in the 1940s and 1950s, and remain highly collectible today. Much of their popularity was due to brilliant marketing that portrayed the dolls as companions and the owners as “little mothers.” For example, dolls came with an Admission Card to the “Doll Hospital,” where they could be sent for repairs if they were broken or “sick.”

Continue reading

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The Influenza Epidemic of 1918

Postman wearing a mask during the 1918 flu epidemic. NSHS RG2071.PHO-1

Nebraska’s last great epidemic was the Spanish influenza, commonly called flu, which hit the United States early in 1918. The scourge had greatly intensified by September and was at its worst during the fall months, throwing a damper on most social gatherings. Even World War I victory celebrations on Armistice Day, November 11, 1918, were limited in some towns as the war against the flu continued.  

Symptoms of the disease included high fever, cough, dizziness, and profuse perspiration. Frequently bronchial pneumonia developed, with death following. In Omaha alone there were 974 deaths between October 5 and December 31 due to the flu.  

Life in Nebraska was severely disrupted during the height of the flu epidemic. As the disease spread, doctors and nurses were in short supply. By October the Nebraska State Board of Health had issued an order closing public meetings, schools, churches, theaters, and all types of entertainment. Mail carriers continued their rounds, but wore white face masks for protection. 

There were few holiday activities during the closing days of 1918. Most Christmas gatherings were canceled. Nebraska merchants tried various strategies to offset their losses from the slump in trade. For example, general store owner C. W. Moon of Shelby in Polk County offered “Free County Delivery Service” in order to “help during this present ‘flu’ epidemic.”    

“Flu Sunday,” December 8, 1918, in Shelby, Nebraska. Men wearing protective masks pose near Fred J. Strain’s furniture and undertaking business. NSHS RG2071.PHO-2

As the year ended, the epidemic appeared to be slowing under the strict statewide quarantine rules. Omaha authorities raised the lid to permit their citizens to celebrate the New Year’s holiday. By mid-January 1919, although national news stories indicated the epidemic still was claiming thousands of victims, in Nebraska the worst was over. A New Year’s greeting in the Shelby Sun on December 26, 1918, said:  

“The old year is almost gone. . . . It was ushered in by war, the most terrible in all history; it brought higher prices for everything; it brought short crops and a growing expense account and it brought the flu; but we have met all and conquered.” – Patricia C. Gaster, Assistant Editor / Publications

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Major Pembleton’s Baby Drummers

Major Pembleton’s Baby Drummers. NSHS RG2856.PH9-57

Major Pembleton’s Baby Drummers, depicted in the photograph above, were a familiar feature at turn-of-the century Grand Army of the Republic reunions in Nebraska. Musician and Civil War veteran M. L. Pembleton (1846-1915), who resided at York, recruited his wife and several of his nine children to form the band. 

It was a novel attraction at the 1897 GAR reunion in Lincoln. The Nebraska State Journal on September 14 noted the excellent music “by the Pembleton baby drummers. The number was very attractive. Two snare drums were placed upon a small platform and were played by two little tots, son and daughter of M. L. Pembleton of York. Mr. Pembleton and his wife played the larger drums. The little people were dressed in the national colors and their performance was very taking.”  

A native of Pennsylvania, Pembleton came to this state in 1876 following service in the Civil War and the Pennsylvania National Guard as a drum major. He also served as a drum major in the Nebraska National Guard. and helped organize the Nebraska State Band Association in 1883. Pembleton as a drum major and band leader became a familiar figure at GAR reunions statewide and at national encampments as well, serving with the National Association of Civil War Musicians, under the auspices of the GAR.  

Pembleton lived at Wahoo, Stromsburg, and York during his life in Nebraska. He died on May 20, 1915, in York, of a heart condition and (according to the York Republican, May 21, 1915) of “the many complicated ills that followed him ever since the war.”  – Patricia C. Gaster, Assistant Editor / Publications

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When Conversation Runs Dry…

We are witnessing firsthand the distress a drought causes in an agricultural community. With record temperatures and minimal rainfall, there is little that farmers can do but watch their crops burn to a crisp. Combine that with the current national economy and tough financial times seem unavoidable. But Nebraskans have a history of resilience, and the current situation is far from the worst we have survived.

Devastation was facing Nebraskan farmers in January of 1895. After several years in a row of disaster from hail, fire, grasshoppers, and a severe drought, Nebraskans were going into the winter of 1895 with nothing left, and many months to go before any hope of income. In a time without crop insurance or significant irrigation, their livelihood was at the mercy of the environment.

Nellie Bly, a famous investigative journalist for the New York World, heard of the impoverished conditions in Nebraska and came to research them for herself. She traveled for miles to individual houses in several rural parts of Nebraska and South Dakota, recording the stories of people who lived there. The Spring 1986 issue of Nebraska History reviews what she found, and it was nothing short of tragic.

Nellie Bly in 1890 - five years before her visit to Nebraska. Public domain photo taken from Wikimedia Commons.

The complete lack of food was the most striking need. Of one family Bly found that: “The man and his wife and six children have had absolutely nothing for months but flour. It is hard to realize the full extent of that statement. Only flour! That means not even little things like salt, pepper, yeast.” Without any income, many families had been forced to destroy their investments in order to live. Many had eaten their seed corn, as well as most of their starving animals. At the time Nellie Bly visited, it was estimated that in six weeks, 80 percent of Boyd County’s population would be in need of food. The situation in Cherry and Butte County wasn’t any better. People were literally starving to death, as well as many dying from illnesses caused by a diet of almost only flour.

“People are ailing with all sorts of complaints. They do not know what is wrong with them, but the doctor does. He tells me it is all due to insufficient food. If the people were Eastern people they would have died long ago, but the inhabitants here are like their horses – they can last a long time on fresh air.”

Weather was another concern. “Hundreds of families will starve and cattle will freeze if there comes a snowstorm,” Bly wrote, “To the mildness of the winter is due the fact that human beings and stock have so far been able to live on pure air and scenery.” Still, the lack of snow did not mean warmth.

January 21, 1895, Bly wrote: “I saw a little of Nebraska weather. Saturday when I drove around to see the destitute people the air was as soft and warm as a day in September; Sunday it was 8 degrees below zero.”

Bly seemed to be expecting this kind of weather by the time she reached Butte, Nebraska: “When I got up for the day I found the water that had stood by my bedside was frozen solid. As for myself – well, I was cheered by being told it was only 20 degrees below zero. Only? I could not believe it.”

One man tried to support his family by selling firewood, but by the time he had traveled to get it, cut it into manageable pieces and taken it to town, he received 75 cents (about 20 dollars in today’s currency) for three days of work. Still, with no food, no clothes, and no prospects, Nebraskans did not ask for aid until they had nothing left. Unfortunately, the aid provided was pathetically insufficient. With no railroads to reach most of the areas that needed help, what little food was donated was left in warehouses with no way to distribute it efficiently. One of the biggest outcomes of Bly’s visit was her effort to improve aid to Nebraska after she returned east.

Thankfully, the effects of this year’s drought were nothing like those of the 1895 disaster. Advancements in communication and transportation alone mean that areas suffering from natural disasters can receive help from the rest of the country. Irrigation has greatly reduced the fragility of crops, and crop insurance provides some financial security from the unexpected. We are recipients of the produce from decades of hard work generations before us. This fall, Nebraskans have many, many things to be thankful for despite the tough weather.

In an upcoming post, we’ll revisit another historic drought that brought President Franklin Roosevelt to Nebraska’s Panhandle.

- Joy Carey, Editorial Assistant

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Nebraska’s New Deal Art Legacy

Historical treasures can be found in many unexpected places. Sometimes, they may be right in front of us for a long time before we recognize their value. When the New Deal sought to breathe life into the Depression-era economy, scores of public artworks were commissioned around the country. Twelve of those artworks were commissioned to the post offices of twelve Nebraska towns, and are still on public display more than 70 years after their installation.

Nebraska’s Post Office Murals: Born of the Depression, Fostered by the New Deal is a new book from the Nebraska State Historical Society that presents the story of these historical pieces. Richly illustrated with photographs and never-before-published artists’ sketches, the book uncovers interesting aspects of the Depression through its art. Each mural and its artist had a background story, and author Robert Puschendorf follows the journey of each mural to its completion.

To oversee the creation of the public art pieces in federal buildings nationwide, the New Deal created a new division of the United States Treasury: the Section of Painting and Sculpture. In some states, the Section held contests to determine which artists would receive a commission. The artists of Nebraska’s post office murals were not selected by contest, but based on previous experience and, sometimes, their submissions for the contest of a different state.

The post office mural in Hebron, Nebraska, was painted by Eldora Lorenzini.

 

Project supervisors wanted each of Nebraska’s murals to reflect the interests of the area where they would be displayed. Several of the mural artists made trips to Nebraska to research local history and scenery to incorporate into the mural’s theme. Mural subjects ranged from farming and ranching scenes to historical moments and social life. With such consideration of local interest and history, the murals reveal the spirit of the times from which they emerged.

Although artist Kenneth Everett intended Pawnee City's mural to be a lively social auction, recent Depression memories caused some to think it was a foreclosure of some kind.

 

Edward Rowan, superintendent of the Section, kept up correspondence with each artist through their draft stages and revisions. These correspondences reveal interesting contrasts between the desires of the Washington executives, the artists, and the local people. Albion, Auburn, Crawford, Geneva, Hebron, Minden, Ogallala, O’Neill, Pawnee City, Red Cloud, Schuyler, and Valentine received murals, and Nebraska’s Post Office Murals contains color foldouts of each final work.

Author Robert Puschendorf, NSHS associate director and the deputy state historic preservation officer, spent years researching the book. With James E. Potter he is the co-author of the Nebraska Book Award-winning Spans in Time: A History of Nebraska Bridges, and has published numerous historical articles.

Nebraska’s Post Office Murals: Born of the Depression, Fostered by the New Deal, is 120 pages and costs $29.95. To order, visit nebraskahistory.org/murals or call 402-471-3447.

-Joy Carey, Editorial Assistant

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Nebraska’s Seventy-fifth Anniversary, 1854-1929

Hartley Burr Alexander, author of the pageant performed at the 1929 Diamond Jubilee celebration. NSHS RG2411-65

The Diamond Jubilee celebrated by Nebraska in early November of 1929 didn’t mark Nebraska’s seventy-fifth year as a state, but its seventy-fifth as a political unit. The 1854 Kansas-Nebraska Act making it a territory was commemorated in 1929 with three days of festivities in Omaha that included an air derby; Ak-Sar-Ben livestock show; parades, both military and civilian; and a pageant written by Hartley Burr Alexander.  

The timing of the celebration wasn’t auspicious. The U.S. stock market crash had occurred shortly before, but most Nebraskans had yet to grasp its full significance. They optimistically sent President Herbert Hoover an airmail invitation measuring three feet by two feet, but the president, perhaps preoccupied by other events, sent regrets and did not attend. Tens of thousands of other citizens from across the country, however, did attend, with the major parade attracting more than 150,000 spectators.  

Richard W. “Deadwood Dick” Clarke, as he appeared on June 16, 1927, several years before he participated in the 1929 celebration at Omaha. NSHS RG2346-59

The Parade of All Nations, said the Omaha World-Herald on November 6, 1929, “throughout its two-mile length saw depicted the perils of the pioneers, the struggles and privations of early home makers, and achievement of the second generation as on a colorful canvas.” Included were Nebraska Governor Arthur J. Weaver, pioneers, Native Americans, prairie schooners, oxcarts, a Mormon handcart, and a float bearing a large kettle labeled “The Melting Pot,” with the Ak-Sar-Ben queen costumed as the Goddess of Liberty. Riding in a stagecoach were eighty-three-year-old Richard W. “Deadwood Dick” Clarke and seventy-six-year-old “Poker Alice” Tubbs, both of Deadwood, South Dakota, who represented Black Hills pioneers during the festivities.  

Time, on November 18, 1929, reported that Hartley Burr Alexander’s historical pageant, entitled The Making of Nebraska, performed by 1,300 participants at Ak-Sar-Ben Field, was the highlight of the celebration. The state’s geological beginning was represented by several men carrying torches, while young women played the parts of stars, seas, glaciers, and solid land. Next came Sioux and Pawnee, “Spanish conquistadors, French Jesuits, Scouts Lewis and Clark, frontiersmen, Stephen A. Douglas. To end the pageant all joined in singing ‘The Star-Spangled Banner’ and saluting the flag.” – Patricia C. Gaster, Assistant Editor / Publications

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Quilting on the Frontier: Celebrating 150 years of the Homestead Act

A new quilt exhibit is now open at the Nebraska History Museum. Quilting On The Frontier: Celebrating 150 Years of the Homestead Act recognizes early Nebraska homesteaders through quilts. The exhibit incorporates historic images and objects to illustrate life on a homestead.

The thirteen quilts on display tell three segments of the homestead story: Homesteaders coming to Nebraska brought treasured quilts made by loved ones they left behind, hometeaders made quilts to help beautify new homes, and quilters made quilts to commemorate homesteading.

Girls learned how to quilt at an early age and made quilts for their dolls. A doll quilt is displayed with some of the toys available for children at that time.

Doll quilt from the Gertrude Eaton family, North Bend, Nebraska

The displayed quilts represent different regions of Nebraska, including Custer County, Otoe County, Chambers, Plattsmouth, and North Bend. Two quilts are on loan from the Otoe County Museum of Memories and the Cambridge Museum. The Custer County Historical Society also loaned an image of the Hersh family, who brought one of the quilts in the exhibit to Nebraska, and lived in a sod house.

Donna Landford, an intern from the University of Nebraska, Department of Textiles, Merchandising and Fashion Design curated the exhibit. Quilting on the Frontier is on display at the Nebraska History Museum through April 14, 2013.

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Lights, Please

For someone living today, it is hard to imagine the splendor of seeing electric lights for the first time. When the Grand Court of the Trans-Mississippi and International Exposition lit up on June 1, 1898, thousands were treated to their first electrical light experience: arguably the grandest in the world to date.

In the Winter 2012 issue of Nebraska History, Amanda Johnson goes behind the scenes into the logistics of the exposition’s lighting and its importance to the reputation of western states. Eager to demonstrate scientific progress and cultural savvy, expo officials made the bold decision to become the first exposition to light the outdoors of the entire Grand Court. Electricity was the symbol of the future, and World’s Fairs had been using increasing amounts of it. Exposition designers wanted to surpass them all, and on the expo’s opening night, spectators witnessed the full effect of 20,000 incandescent bulbs.

Part of the Grand Court as seen looking northwest at night. NSHS RG2752-01-00.

Planners used lighting to promote the Western States not necessarily for what they were, but the ideal of what they could be. Fairs like this one were intended to demonstrate the potential of the West and the power of building new developments with modern technologies. Still, mounting a display of this magnitude was not without risks. Engineers Henry Rustin and Luther Stieringer became the main catalysts of the expo’s lighting. They argued that the cost of such an undertaking could be in part defrayed by using incandescent lights instead of arc lights, and believed the effect would be worth the effort. Rustin was in charge of camouflaging the wiring: no small feat for 20,000 bulbs.

A bird's eye view of the Grand Court by day. NSHS RG2752AM.

Despite late planning and the incredible scale of the project, the Omaha’s exposition was the first in America to open on its originally scheduled day. The electricity and the exhibit that produced its power were among the fair’s main attractions. Over the five months of the expo, 2.6 million visitors came to Omaha to see it, and the exposition broke financial records by being the first in America to make money every month it was open.

Part of the Grand Court as seen looking southwest at night. NSHS RG2752AM.

For Rustin, the public’s admiration of his work was the most rewarding. “The cheer which the first night crowd gave as the lights gradually came on to full brilliancy, meant more to me than any other occasion in my life. It seemed as though all efforts, hopes, fears and realization were all crowded into one exultant moment.”

The fairy tale scenes had a lasting effect on international perception of the western states. With the electricity displayed at the exposition, Omaha created a spotlight for itself to shout that western states were growing, scientific, cultured, and setting a new standard for the East to follow.

- Joy Carey, Editorial Assistant

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